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Anatomic Music

by Fragment King

subscriber exclusive
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Wormlord 06:15
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My Innards 08:15
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about

Heaviness and brutality and destructive-creative gesture – the development of ANATOMIC MUSIC was very elaborate, beginning from electronic compositions to open-end jams that have an anti-intellectual, guttural, animal brutality to them. The mindset that inspired the songs is expressed by the original liner notes. "ANATOMIC MUSIC is a composition and recording project employing specific design strategies captured from architectural design. For one, the origin of the compositions is an exploding singular moment in time unfolding itself outside its non-topological point of origin (the human brain) into the topological space surrounding any sound projection device. In this sense, ANATOMIC MUSIC captures the idea of the "Entwurf", the design strategy as originated in thought. The idea constitutes the paradox instrument of event before motivation and thus becoming meta-motivation. The metaphoric motivation of the innards, the only space the individual truly controls, drives the digital and performative concept of the music pieces, beginning from the "written" sequencing to the "performed" session and the amalgamation of these aspects in the digital suite." The sessions comprise typological groups. Each group was created based on digital processing, followed by various steps of performative transformation with electronic and electro-acoustic instruments, field recordings, bass guitar and vocals, including the generating of new material upon each working stage. Beyond the initial electronic "sketches", the pieces can be divided into the two groups of "Depositio" (the placing of the dead body on stainless steel tables in tiled rooms, the altar slabs of now; science becomes religion) and "Forensics" (clinical observation in its totality requires a certain amount of emotional distance from the researched object; this step equals an act of self-recognition within the research process, comparable to the gesture of the "turning of the mask" as described by Vilem Flusser). Initial recording took place in 2004, the In Dub versions were created in 2009 and the Forensics continuous mix was created for this Bandcamp edition in 2020.

credits

released January 1, 2005

Recorded, produced and mastered by Mark Kammerbauer at White Furnace Lodge.

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Nexialist Presents

Constructing soundscapes since the year 2000.
Logo illustration exclusively created for Nexialist by graphic artist Liis Roden linktr.ee/7115

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